When Voltaire said that, more than two hundred years ago, he surely wasn’t talking about self-publishing. Or maybe he was. After all, the guy wrote more than 2000 books and pamphlets. They couldn’t all have been perfect.
For me, what it means is that after collecting a double handful of rejection letters, I’ve decided its time to try self-publishing. The reasons are many. Part of it is I’ve got a belief that in most creative endeavors, there is a lot more talent out there than there is bandwidth in the traditional distribution network. Take music for example. There are probably hundreds of great songs being written every week, but only twenty slots in the top twenty. That means lots of losers. One of the great things about the Net is that all those other songs can be heard. I think the same thing may be true for the written word.
Another factor is that for the average writer, a first-time book contract may not be such a good deal. The advance will only be a few thousand dollars, and the publisher will do little if any promotion of the book. Six months on the shelves of the major chains and, if it doesn’t turn into a best-seller by then, onto the $1 discount rack. Meanwhile, the author has already spent his $4000 advance and in all probability the book hasn’t earned out; that is, its royalties have never reached $4000. Now the book is in a weird state of purgatory; It’s still ‘in print’; owned by the publisher, who has no interest in doing any thing with it, and the author is pretty powerless.
As for me, I’m not in it for the money. At least, not for now. Would I like a $4000 advance? Well, sure! But after taxes it would be considerably less, and from what I’ve read of the state of the industry, the whole experience would be too much like selling my soul.
Short stories? Again, it seems like there are an awful lot of stories chasing a very small number of slots in Analog, et. al. So the chances of a successful sale are not high. And a successful sale might net a per-word value of about $0.07 per word, so a 6000 words story would fetch $420. Sold on Amazon for $0.99, that same story would need to sell slightly more than 600 copies to reach the same profitability. Is that reasonable thing to strive for, over the lifetime of a story?
I don’t know. Ask me in a year; by then this experiment will be more completely underway.
So what does it take? Well, getting the printed word onto Amazon doesn’t seem to be that big a deal. But, like anything else, its the details that get to you. Details like:
- Cover Art
- Copy editing
- ISBN numbers
- Typesetting
- Etcera
So there’s more to this than just dragging a file over to www.amazon.com and clicking ‘publish’. At least if you want to do it right. But like any other overwhelming problem, it can be broken into smaller pieces. Take cover art, for example. A quick (and free) post on elance.com yielded a dozen graphic artists, in everywhere from New York to Bulgaria, ready to create my cover, at price ranging from $60 to more than $500. With plenty of examples of their work. There are lots of copy editors out there, too, including the one recommended by a member of my writing group. (And even as I was writing this, an email popped into my inbox, from a friend about to start a copy-editing business.) The proper application of money will easily solve the ISBN problem. And so forth.
So, graphic artists at the ready. Copy editors on hot standby. ISBNs entering the pipeline.
Let the Adventure begin.